Every afternoon at 5 o’clock I tuned in to “Hop Harrigan, Ace of the Airwaves” and then acted out that day’s developments, embellishing them with my own ideas. In the early part of the war, a friend of my mother’s came to stay with us for a few months with her two daughters, both younger than I, and I enlisted them in my scenarios. I played the part of Hop Harrigan, of course, but Nancy, age 6, could be Gail Nolan, a nurse and possibly Hop’s love interest, or Tank Tinker, his sidekick. Linda, age 4, was always cast as the enemy, Japanese or German, depending, until we captured her and made her stay under the card table, a POW.
Later, there was “Baby Snooks,” played by Fanny Brice. My only cousin, Harold, in his teens, began to call me Snooks, a nickname that stuck for much too long. And Red Skelton, and Fibber McGee, and all those soap operas: Mary Noble, Lorenzo Jones, Ma Perkins. When I began to think about being a writer someday, it was writing radio scripts that I saw in my future—not books.
But meanwhile, we had a war to fight! I got a Junior Commando armband to wear on my snowsuit and tried, without success, to enlist classmates to march with me. I had a plane identification chart, so I’d know if our little Pennsylvania town was under attack from Zeros or Messerschmitts. I saved tin cans and used my allowance to buy 25-cent War Stamps to paste into War Bond booklets.
And then, at last, the war was over, and my daddy came home.